Presenting Aarti Sawant . . Tarana is a classical piece that showcases the graceful movements, beautiful rhythms of Kathak and music that has traditionally accompanied the dance form. . . Artist - Bageshree Vaze Music - Jogkauns Tarana Album - Ragas & Rhythms . . **COPYRIGHT DISCLAIMER- Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favour of fair use. * #kathak #kathakdance #pureclassical #aarat #deepalivichare #classicaldance #tabla #tablabeats #aarat #dvva #dance #students #pureclassical

Presenting you a small attempt of bhavang which showcase graceful movements. Thumri is vocal genre or style of Indian music, A text is romentic or devotional in nature and usually revolves around a girls love for Krishna. . . Performed by Neelam Ramesh Mane . . Artist - Anup Jalota Purshottam Das Jalota Album - Bhajan parampara . . #aarat #pureclassical #pureclassical #classicaldance #kathak #deepalivichare #deepalivichareacademyofarts #krishnabhajan #dance

Presenting Saraswati Vandana, Farmishi Chakradar, Pancha Vadya Gat and Krishna Kavitta. Saraswati Vandana:- Vandana meaning praying to the divine. Here we pray to goddess of knowledge, arts , speech, dances and instuments. We will begin our performance by invoking goddess Saraswati. Farmaishi Chakradar:- Farmishi literally means to demand. The farmaishi that we are performing is an arrangement of Matras in such a way that last syllable (dha) of first phrase of tihaai from first avartan lands on Sama. So does the (dha) of second phrase of tihaai from second avartan and eventually the concluding (dha) of last phrase of tihaai in third avartan of Chakradar lands on the Sam. Pancha Vadya Gat:- Pancha Vadya Gat means a composition, which imitates the notes of 5 instruments namely 'Damaru', 'Dholak', 'Nagara', 'Pakvaj' and ending with a Tihaai on 'Tabla'. Krishna Kavitta:- A small rhythmic poem set in certain 'taal' which describes lord Krishna's appearance with whole grace. As Lord Krishna is the pioneer of Kathak ,concluding with Krishna Kavitta. Performaned by : Kshirja Raje, Sarjana Satam and Rutuja Shinde. Tabla and Padhant by : Shri. Mrunmay Chavan. Saraswati Vandana by: Smt. Swagatalakshmi Dasgupta. Krishna Kavitta by : Pt. Divyanng Vakil Video by : Saachee Shembekar. Special thanks to : Glamour studio, Malad. Priti Shinde, Ujwala Raje , Samidha Satam. ***COPYRIGHT DISCLAIMER- Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favour of fair use. * #kathak #kathakdance #pureclassical #aarat #deepalivichare #classicaldance #tabla #tablabeats #farmaishi #kavitta #vandana #gat #kathakdancers

Presenting Tarana Tarana is a type of composition in Hindustani classical vocal music in which certain words and syllables (e.g. "odani", "todani", "tadeem" and "yalali") based on Persian and Arabic phonemes[1] are rendered at a medium (madhya laya) or fast (drut laya). Performed by - Sarika Phadtare. Tarana in Raag Malkauns Vocal: - Samarjit Roy Mixing & Mastering - JK Majlish Sitar - Rahul Chatterjee Tabla - Joy Nandi ***COPYRIGHT DISCLAIMER- Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favour of fair use. * #kathak #kathakdance #pureclassical #aarat #deepalivichare #classicaldance #tabla #tablabeats #trivat #bandish #sargams #kathakdancers

Presenting you a small attempt at taalang which consists of tihai and tukde. A beautiful composition by Ustad Zakir Hussain ji, “ecstasy”- Raga teental tabla Performed by: Dwiti Rao Music : Raga - Teentaal Tabla - Solo Recital · Ustad Zakir Hussain - https://youtu.be/059QnVHmPxg ***COPYRIGHT DISCLAIMER- Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favour of fair use. * #kathak #teental #mukde #tihai #tukde #kathakdance #pureclassical #aarat #deepalivichare #classicaldance #raga #tabla #tablabeats #zakhirhussian

With all the Love and blessings of Deepa Tai We are presenting Ganesh Kavit, Chaturang followed by Jugalbandi. . . Ganesh Kavit Feel the presence of Lord Gajanana through the Chhanda and Rhythm of this powerful kathak composition by Guruji Pandit Divyang Vakil Artist: Kavit and Toda - Guruji Pandit Divyang Vakil Sarangi - Vanraj Shashtri Pakhawaj - Jobi Joiy Music - Rushi Vakil Audio Production - Aaditaal Music Project Programming - Shubham Raval . . Chaturang - Sabh Sakhi Avat Raas Rachavat Chaturang is an old and rare form of Indian Classical Music. Literally meaning four colors, the chaturang is comprised of Four components : Sahitya - Poetry set to the raga Tarana - Meaningless syllables set in fast speed Sargam - Musical notes set in rhythm Nritta Bol - Syllables of pakhawaj that are intricately woven together Thus chaturang gives us a collective taste amalgamating various styles and Forms of music. Artist: Music Composed By - Dr. Shahshikala Shirgopikar Sung By - Mrinmayi Phatak . . Jugalbandi The word jugalbandi means, literally, "entwined twins." We are presenting jugalbandi which begins with Hastak, Exploration of footwork followed by Three Parans. Compositions that use bol from pakhawaj, featuring graceful yet strong movements and spin. Artist: Padhant - Late.Pandit Birju Maharaj Supporting Padhant - Pandit Jaikishan Maharaj, Saswati Sen and Durga Arya. Sound Track - Utkarsh Shrivastava . . ***COPYRIGHT DISCLAIMER- Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favour of fair use. * #kathak #kathakdance #pureclassical #aarat #deepalivichare #classicaldance #tabla #tablabeats #ganeshkavit #jugalbandi #chaturanga #25years #dvaa

निखरत्या कलेचे स्तंभ म्हणून धरला हात ज्याने त्या गुरुला नमन करते हात जोडून आनंदाने। नृत्य प्रगतीचा प्रत्येक पाऊल उठतो ज्या मानाने त्या क्षणासाठी योग्य बनवले, धीर दिले तिनेच विश्वासाने। अविस्मरणीय असे ते दिवस जे आम्ही परंपरेने अनुभवले आज उत्साहाच्या दिवशी ते पुन्हा आठवले। २५ वर्ष पूर्ण होत आहेत ताईच्या प्रशिक्षण केंद्राचे त्यासाठी पेश करणे आवश्यक झाले नमूने एक नृत्यकलेचे। मनापसून एक प्रयत्न तुम्हा सर्वांसाठी सादर करत आहे... - सानिका शानभाग Audio details: Shiv paran by Pandit Divyang Vakil ji #aarat #pureclassical #pureclassical #classicaldance #kathak #deepalivichare #deepalivichareacademyofarts #shivparan#dance

With all the Love and blessings of Deepa Tai Presenting Madhavi Phansekar Track : Kahna Main Tose Haari - Birju Maharaj Song Credits: Youtube by SA RE GA MA . . ***COPYRIGHT DISCLAIMER- Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favour of fair use. * #kathak #kathakdance #pureclassical #aarat #deepalivichare #classicaldance #kahnamaintosehaari #thumri #kathaklove #madhaviphansekar #25years #dvaa

Presenting Pushpa 6 before y'all a 'AAMAD' followed by '2 TODAS' in taal EKTAAL. Then concluding my performance with a Small Thumri . Performed By ~ Priti Shinde . . Aamad literally means to welcome. So it is always performed as the initial part. Then comes the todas which are the gathering of small bol's , that doesn't have any meaning, but are placed randomly in a rhythmic order based on Taal ! Then concluding with a Beautiful Thumri where the नायिका (I.e. Actress) inculcates the lyrics with her expressions, Hasta Mudras & Body gestures . Here is a depiction of short story (Ched chad) of Gopikas & Krishna Bhagwan . . . Aamad & Todas :- Padhant ~ Pt. Divyang Vakil. Tabla ~ Shri. Vishal Girish. Thumri :- Sung ~ Smt. Devaki Pandit . Raag~ Bihaag. . . Special thanks to Guru.Deepali Vichare & Smt.Madhavi Phansekar. . . Video ~ Atharva Jadhav. Location ~ Regency Sarvaam , Titwala . . . ***COPYRIGHT DISCLAIMER- Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favour of fair use. * #kathak #kathakdance #pureclassical #aarat #deepalivichare #classicaldance #tabla #tablabeats #farmaishi #kavitta #vandana #pushpa6 #kathakdancers #deeplaivichareacademyofarts #25years #thumri #toda #krishnatales

Presentating Rasraj Trivat. Trivat or Tirvat is a bandish or composition which is sung in a fast tempo and consists of Bols of tabla or pakhawaj, sargams and meaningless words like in Tarana. This is sung mostly in Teen Taal or Ek Taal. Performed by - Vineeta Phondekar. Trivat written and composed by - Pandit Rajendra Gangani. Video edited by - Milap Rane. ***COPYRIGHT DISCLAIMER- Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favour of fair use. * #kathak #kathakdance #pureclassical #aarat #deepalivichare #classicaldance #tabla #tablabeats #trivat #bandish #sargams #kathakdancers

Presenting Siddhi Shintre & Vishakha Apte. Today we will be presenting Om Ardhang on the upcoming occasion of the 25th anniversary of the Deepali Vichare Academy of Arts. . . Om ardhang this presentation shows the oneness that lies in lord Ardhanareswara portraying the difference as well as the equality between Shiva and Parvati. . . Lyrics ~ Pandit Birju Maharaj Recording ~ Sami Ullah Khan Tabla ~ Yogesh gangani Song credits: ~Gauri Diwakar Sanskriti foundation . . And at the end, we will be performing paran in taal teental which is composed by guruji Pandit Divyang vakil and Tabla by Mike. . . Video ~ Mandar Shinde Location ~ Vada . . ***COPYRIGHT DISCLAIMER- Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favour of fair use. * #kathak #kathakdance #pureclassical #aarat #deepalivichare #classicaldance #tabla #tablabeats #farmaishi #paran #teental #omardhang #ardhnareshwara #birjumaharaj #toda #kathakdancers #deeplaivichareacademyofarts #25years #thumri #toda #smrutilaya #smrutilayaclassicaldance

Presenting you a Devi Bhajan followed by Tarana Bhajan is a music genre wherein the devotee praises God/Goddess by singing a song and describing His facets and seeking blessings. Tarana forms part of Nrutta category of dance. Nrutta category refers to graceful body movements using footwork and gestures without invoking rasa or bhav and following the Rhythmic patterns of the song. Performed by: Nidhi Upadhye Music: Kaushiki's Sakhi - Rudrani - https://youtu.be/btK0CxsdyRA Kanha Re - Neeti Mohan - https://youtu.be/QWTTufnZhzc ***COPYRIGHT DISCLAIMER- Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favour of fair use. * #kathak #tarana #devibhajan #youtube #classicaldance #aarat #dvva #dance #deepalivichare #students #pureclassical

Choreography: Guru Deepali Vichare, Kathak exponent, Sr. Choreographer in Marathi Film Industry Production: Staging Frames Facebook: https://www.facebook.com/aarat.d.vichare Facebook: https://www.facebook.com/aaratusa/ Email: aaratinfo@gmail.com Website: www.deepalivichare.com

Tarana is a composition of Hindustani Classical vocal music in which certain words or syllables are based on Arabic or Persian phonemes. The tarana may include a Persian couplet, and may use syllables from sitar or tabla such as "dar-dar" or "dir-dir"; singers might recite full compositions within the body of a Tarana. On this International Dance Day, Guru Deepali Vichare brings you this wonderful Tarana performed by her senior students beside the vast Arabian Sea. Watch as this beautiful composition is brought to life by these extraordinary dancers and do let us know your feedback in the comments below. #InternationalDanceDay #DeepaliVichare #Kathak Credits: Concept and Choreography : Guru Deepali Vichare Music : Mr. Bhupal Panshikar and Mr. Sanket oak Singer :- Mr. Bhupal Panshikar Studio :- AV studio, Thane Editor :- Aashish and Apurva Final Colour Correction :- Sanmit Mhatre Performers :- * Madhavi phansekar * Vineeta Phondekar *Vishakha Apte *Dwiti Rao *Avani Rao *Anuja Tilak *Samruddhee Joshi *Nilam Mane *Pranali Dhamapurkar Management : Rupali Yadav. Line producer : Sainath Jalavi Camera :- Tanmay Patil Photography :- Shekhar Parab & Vishakha Apte Production Controler :- Harshal Mhapankar Transport :- Sandesh Chikodikar & Nandu Neman Location :-Saijalvi Films.